Uliyin Osai

Kalaignar’s ‘Sarapalam Samundi’ has taken the film form of ‘Uliyin Osai.’

King Rajaraja Chozha wants the future generations to know of the mighty Chola empire, so he starts work on building the Big Temple at Thanjavur. The job of carving dancing images on the walls of the temple is entrusted to sculptor Perindakshan.

To get a dancing girl as model for this project proves to be a big headache for the sculptor. He even finds faults in the dance of dancer Muthunagai. He eventually falls for the beauty and dance of the granddaughter of a goatherd Muthatty and accepts her as his model. The background of this girl as well as the project of sculpting the dance poses into stone, form the main lifeline of the film.

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